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FTV Technical Training

Production Advisement
Production Center - Rig Scheduling and Equipment Picksheets
Camera Technical Training
Production Sound Technical Training
Post Sound Technical Training
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Technical Training Seminars
Frame & Sequence
Sound Image
First Person Narrative
Sight and Sound: Filmmaking
Sight and Sound: Studio
Sight and Sound: Documentary
Documentary Production
Intermediate Production Courses
Advanced Production
Directing the Camera
Open Arts
Graduate Film
Workflow
NYU Festivals

- Production Advisement
- Production Center - Rig Scheduling and Equipment Picksheets
- Camera Technical Training
- Production Sound Technical Training
- Post Sound Technical Training
- Post Picture Technical Training
- Technical Training Seminars
- Frame & Sequence
- Sound Image
- First Person Narrative
- Sight and Sound: Filmmaking
- Sight and Sound: Studio
- Sight and Sound: Documentary
- Documentary Production
- Intermediate Production Courses
- Advanced Production
- Directing the Camera
- Open Arts
- Graduate Film
- Workflow
- NYU Festivals
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- Production Advisement
- Production Center - Rig Scheduling and Equipment Picksheets
- Camera Technical Training
- Production Sound Technical Training
- Post Sound Technical Training
- Post Picture Technical Training
- Technical Training Seminars
- Frame & Sequence
- Sound Image
- First Person Narrative
- Sight and Sound: Filmmaking
- Sight and Sound: Studio
- Sight and Sound: Documentary
- Documentary Production
- Intermediate Production Courses
- Advanced Production
- Directing the Camera
- Open Arts
- Graduate Film
- Workflow
- NYU Festivals

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Glossary
Production Advisement
Production Center - Rig Scheduling and Equipment Picksheets
Camera Technical Training
- ARRI Alexa Classic
- ARRI Alexa Mini
- Arriflex SR II
  - ARRI SR Tech Seminar Instructor Notes
  - ARRI SR Book by Jon Fauer
- Arriflex 435
  - Arriflex 435 Manufacturer's Manual
- Canon C300 MK II
- Canon C200 MK I
- Canon C70
  - Canon C70 and Nanlite Overview Tech Seminar Instructor Slide Deck
  - Canon XF605/C70 Combined Tech Seminar Slides
- Canon R5 C
- Canon XF705 Camcorder
- Canon XF405 Camcorder
- Canon XF605
- Canon 7D
  - Canon 7D Website
  - Canon 7D Manufacturer's Manual
- Nikon D850
  - Nikon D850 Website
  - Nikon D850 Manufacturer's Manual
- Red Epic
  - Red Epic Dragon Website
  - Red Epic Dragon Manufacturer's Manual
- Sony FS7 MK II
- Sony A6400
- Sony FS5 (Open Arts)
- Sony FS7 (Open Arts)
Production Sound Technical Training
- Sound Devices MixPre 3 II
  - Sound Devices MixPre-3 II: Quick Start Guide
  - Sound Devices MixPre-3 II: Linking Channels for a Stereo Mic
- G4 Receiver
- Zoom H5n
- 302 Mixer
- 633 Recorder
- Canon C70
  - Intermediate and Advanced Documentary Audio Tech Seminar Slides
- Backing Up Media
  - Cloning with DaVinci Resolve
Post Sound Technical Training
- Recording for Post
- PPC Post Sound Suites and Studios
- Pro Tools
- Sound Effects and Music Libraries
Post Picture Technical Training
- Avid NEXIS
- Adobe Premiere Pro
- DaVinci Resolve
- Avid Media Composer
- Screening
  - Using PPC Screening Rooms
  - easyDCP: Viewing DCPs and Multimedia Files
- ZBrush
  - Configuring Wacom Tablet for ZBrush
- Workflow/Data Wrangling
  - Practicing Data Wrangling with DaVinci Resolve
  - Cloning with DaVinci Resolve
- Post Production Information
Technical Training Seminars
- Open Arts
- Frame and Sequence
  - Zoom H5 Tech
- First Person Narrative
  - Zoom H5 Tech
  - Premiere Pro Techs: First Person Narrative Instructor Notes
- Sight and Sound Documentary
  - Premiere Pro Techs: Sight & Sound Documentary Instructor Notes
- Sight and Sound Filmmaking
  - Zoom H5 Tech
  - Premiere Pro Techs: Sight & Sound Filmmaking Instructor Notes
- Sight and Sound Studio
  - Premiere Pro Techs: Sight & Sound Studio Instructor Notes
- Intermediate Production Courses
- Int/Adv Documentary Production
- Advanced Production
- Grad
Frame & Sequence
- Canon R5 C
- Lighting (Nanlite LEDs)
- Zoom H5 Recorder
- Post
- Backing Up Media
  - Cloning with DaVinci Resolve
- Production Information
  - Production Center - Rig Scheduling and Equipment Picksheets
  - Production Advisement
Sound Image
- Sound Recording
- Suites and Studios
- Backing Up Media
  - Cloning with DaVinci Resolve
- Pro Tools
- Sound Image Video Assignment Video Files
  - Sound Image Video Assignment Video Files
- Production Information
  - Production Advisement
  - Production Center - Rig Scheduling and Equipment Picksheets
First Person Narrative
- Canon R5 C
- Lighting (Nanlite LEDs)
- Zoom H5 Recorder
- Post
- Adobe Audition
  - Adobe Audition User Guide
- Backing Up Media
  - Cloning with DaVinci Resolve
- Production Information
  - Production Center - Rig Scheduling and Equipment Picksheets
  - Production Advisement
Sight and Sound: Filmmaking
- Canon C200 MK I
- Lighting (Nanlite LEDs)
- Zoom H5 Sound Recorder
- Post
- Backing Up Media
  - Cloning with DaVinci Resolve
- Production Information
  - Production Advisement
  - Production Center - Rig Scheduling and Equipment Picksheet
Sight and Sound: Studio
- Telestream Live Capture
  - Telestream Live Capture: Recording
- Post
- Production Information
  - Production Advisement
Sight and Sound: Documentary
- Canon XF605
- 302 Mixer
  - 302 Mixer Guide
  - 302 Mixer Manufacturer's Manual
- Lighting (Nanlite LEDs)
- Post
- Backing Up Media
  - Cloning with DaVinci Resolve
- Production Information
  - Production Advisement
  - Production Center - Rig Scheduling and Equipment Picksheets
Documentary Production
- Canon XF605
- Canon C70
  - Canon XF605/C70 Combined Tech Seminar Slides
- Doc Sound Rig
- Lighting (Nanlite LEDs)
- G4 Reciever
- 633 Recorder
- Post
- Workflow
Intermediate Production Courses
- Canon C300 MK II
- Lighting (Nanlite LEDs)
- 633 Sound Recorder
- G4 Lav Receiver
- Backing Up Media
  - Practicing Data Wrangling with DaVinci Resolve
  - Cloning with DaVinci Resolve - SSF
- Workflow
- Post
- Production Information
- Intermediate Hands-On Rig Practice Slides
Advanced Production
- ARRI Alexa Mini
- Canon C70
  - Canon C70 and Nanlite Overview Tech Seminar Instructor Slide Deck
- Lighting (Nanlite LEDs)
- 633 Recorder
- G4 Receiver
- Workflow
  - Intermediate Workflow Tech
- Backing Up Media
  - Cloning with DaVinci Resolve
  - Practicing Data Wrangling with DaVinci Resolve
- Post
  - Sound Effects and Music Libraries
- Production Information
Directing the Camera
- Canon C200 MK II
- Lighting (Nanlite LEDs)
Open Arts
- Smart Phones
- Sony FS5 (Level I Courses and FoD II)
- Sony FS7 I (Level II Courses)
- BOYA
  - BOYA Lavalier Microphone Setup and Use tutorial
- Post: Fundamentals I
- Post: Fundamentals II
- SFX/Music Library
  - Sound Effects and Music Libraries
- Production Information
  - Production Center - Rig Scheduling and Equipment Picksheets
  - Production Advisement
Graduate Film
- Nikon D850
  - Nikon D850 Website
  - Nikon D850 Manufacturer's Manual
- ARRI Alexa Mini
- ARRI Alexa Classic
- Arriflex SR II
  - ARRI SR Tech Seminar Instructor Notes
  - ARRI SR Book by Jon Fauer
- Arriflex 435
  - Arriflex 435 Manufacturer's Manual
- Sony FS7 MK II
- Red Epic
- Zoom H5
- 633 Sound Recorder
- Backing Up Media
  - Cloning with DaVinci Resolve
- Production Information
- Grad Film Department Site
Workflow
- Workflow by Course
  - Intermediate Workflow Tech
  - Intermediate Practice Workflow
- Backing Up Media
  - Practicing Data Wrangling with DaVinci Resolve
  - Cloning with DaVinci Resolve
- Hard Drives
NYU Festivals
- Delivery Instructions
  - NYU Festivals Delivery Specifications
  - Uploading Festival Screeners Using CineSend Requests
- Staff Documentation
  - NYU Festivals: QC & Mastering in DaVinci Resolve for Staff

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Technical Training Seminars

Grad

Last Modified on 08/02/2024 1:23 pm EDT

Guides and Tutorials

ARRI SR Tech Seminar Instructor Notes
Red Epic Tech Slides
Sony FS7 MK II Tech Slide Deck
Sony FS7 Mark II Google Classroom
Nikon D850 Tech Seminar Instructor Slides
633 Tech Slides
Zoom H5 Tech
Grad Epic Post Workflow Tech

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