First Run Audio Guidelines

This guide will provide the necessary information on audio in First Run Festival submissions.

Audio Information

What are the audio requirements for First Run?

  • Levels must be lower than -2 dBFS in all channels
  • True Peak must be lower than -4dBTP in all channels

What are True Peak and levels, and how are they different from each other?

  • Levels are the measurement for "volume" for your mix, measured in decibels relative to full scale
  • True Peak is the loudest part of your mix, accounting for distortion and clipping

How can I check my film’s audio prior to submission?

I submitted my film and received an email notifying me of audio issues. Why was my film flagged for audio issues?

  • We run each film through professional QC scanning software after submission
  •  Any films that have level equals or greater than -2 dBFS in all channels and/or True Peak equals or greater than -4 dBTP in all channels will be flagged by the software

How does it affect my ability to screen at First Run?

  • You must either correct your audio in accordance with the requirements, either by correcting each instance of peaking or by applying an across the board effect
  • You can agree to have NYU apply a hard limiter on your entire film, however, this means you surrender control over what your film sounds like

Why are NYU’s audio requirements different from festivals or platforms?

  • Our NYU screening facilities have many uses, which means our equipment's fail points are more strictly enforced