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- Post Sound Technical Training
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Glossary
Production Advisement
Production Center - Rig Scheduling and Equipment Picksheets
Camera Technical Training
- ARRI Alexa Classic
- ARRI Alexa Mini
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  - ARRI SR Tech Seminar Instructor Notes
  - ARRI SR Book by Jon Fauer
- Arriflex 435
  - Arriflex 435 Manufacturer's Manual
- Canon C300 MK II
- Canon C200 MK I
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  - Canon C70 and Nanlite Overview Tech Seminar Instructor Slide Deck
  - Canon XF605/C70 Combined Tech Seminar Slides
- Canon R5 C
- Canon XF705 Camcorder
- Canon XF405 Camcorder
- Canon XF605
- Canon 7D
  - Canon 7D Website
  - Canon 7D Manufacturer's Manual
- Nikon D850
  - Nikon D850 Website
  - Nikon D850 Manufacturer's Manual
- Red Epic
  - Red Epic Dragon Website
  - Red Epic Dragon Manufacturer's Manual
- Sony FS7 MK II
- Sony FS5 (Open Arts)
- Sony FS7 (Open Arts)
Production Sound Technical Training
- Sound Devices MixPre 3 II
  - Sound Devices MixPre-3 II: Quick Start Guide
  - Sound Devices MixPre-3 II: Linking Channels for a Stereo Mic
- G4 Receiver
- Zoom H5
- 302 Mixer
- 633 Recorder
- Canon C70
  - Intermediate and Advanced Documentary Audio Tech Seminar Slides
- Backing Up Media
  - Cloning with DaVinci Resolve
Post Sound Technical Training
- Recording for Post
- PPC Post Sound Suites and Studios
- Pro Tools
- Sound Effects and Music Libraries
Post Picture Technical Training
- Avid NEXIS
- Adobe Premiere Pro
- DaVinci Resolve
- Avid Media Composer
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  - Using PPC Screening Rooms
  - easyDCP: Viewing DCPs and Multimedia Files
- ZBrush
  - Configuring Wacom Tablet for ZBrush
- Workflow/Data Wrangling
  - Practicing Data Wrangling with DaVinci Resolve
  - Cloning with DaVinci Resolve
- Post Production Information
Technical Training Seminars
- Open Arts
- Frame and Sequence
  - Zoom H5 Tech
- First Person Narrative
  - Zoom H5 Tech
  - Premiere Pro Techs: First Person Narrative Instructor Notes
- Sight and Sound Documentary
  - Premiere Pro Techs: Sight & Sound Documentary Instructor Notes
- Sight and Sound Filmmaking
  - Zoom H5 Tech
  - Premiere Pro Techs: Sight & Sound Filmmaking Instructor Notes
- Sight and Sound Studio
  - Premiere Pro Techs: Sight & Sound Studio Instructor Notes
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Frame & Sequence
- Canon R5 C
- Lighting (Nanlite LEDs)
- Zoom H5 Recorder
- Post
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  - Cloning with DaVinci Resolve
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  - Production Advisement
Sound Image
- Sound Recording
- Suites and Studios
- Backing Up Media
  - Cloning with DaVinci Resolve
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- Sound Image Video Assignment Video Files
  - Sound Image Video Assignment Video Files
- Production Information
  - Production Advisement
  - Production Center - Rig Scheduling and Equipment Picksheets
First Person Narrative
- Canon R5 C
- Lighting (Nanlite LEDs)
- Zoom H5 Recorder
- Post
- Adobe Audition
  - Adobe Audition User Guide
- Backing Up Media
  - Cloning with DaVinci Resolve
- Production Information
  - Production Center - Rig Scheduling and Equipment Picksheets
  - Production Advisement
Sight and Sound: Filmmaking
- Canon C200 MK I
- Lighting (Nanlite LEDs)
- Zoom H5 Sound Recorder
- Post
- Backing Up Media
  - Cloning with DaVinci Resolve
- Production Information
  - Production Advisement
  - Production Center - Rig Scheduling and Equipment Picksheet
Sight and Sound: Studio
- Telestream Live Capture
  - Telestream Live Capture: Recording
- Post
- Production Information
  - Production Advisement
Documentary Production
- Canon XF605
- Canon C70
  - Canon XF605/C70 Combined Tech Seminar Slides
- Doc Sound Rig
- Lighting (Nanlite LEDs)
- G4 Reciever
- 633 Recorder
- Post
- Workflow
Intermediate Production Courses
- Canon C300 MK II
- Lighting (Nanlite LEDs)
- 633 Sound Recorder
- G4 Lav Receiver
- Backing Up Media
  - Practicing Data Wrangling with DaVinci Resolve
  - Cloning with DaVinci Resolve - SSF
- Workflow
- Post
- Production Information
- Intermediate Hands-On Rig Practice Slides
Advanced Production
- ARRI Alexa Mini
- Canon C70
  - Canon C70 and Nanlite Overview Tech Seminar Instructor Slide Deck
- Lighting (Nanlite LEDs)
- 633 Recorder
- G4 Receiver
- Workflow
  - Intermediate Workflow Tech
- Backing Up Media
  - Cloning with DaVinci Resolve
  - Practicing Data Wrangling with DaVinci Resolve
- Post
  - Sound Effects and Music Libraries
- Production Information
Directing the Camera
- Canon C200 MK II
- Lighting (Nanlite LEDs)
Open Arts
- Smart Phones
- Sony FS5 (Level I Courses and FoD II)
- Sony FS7 I (Level II Courses)
- BOYA
  - BOYA Lavalier Microphone Setup and Use tutorial
- Post: Fundamentals I
- Post: Fundamentals II
- SFX/Music Library
  - Sound Effects and Music Libraries
- Production Information
  - Production Center - Rig Scheduling and Equipment Picksheets
  - Production Advisement
Graduate Film
- Nikon D850
  - Nikon D850 Website
  - Nikon D850 Manufacturer's Manual
- ARRI Alexa Mini
- ARRI Alexa Classic
- Arriflex SR II
  - ARRI SR Tech Seminar Instructor Notes
  - ARRI SR Book by Jon Fauer
- Arriflex 435
  - Arriflex 435 Manufacturer's Manual
- Sony FS7 MK II
- Red Epic
- Zoom H5
- 633 Sound Recorder
- Backing Up Media
  - Cloning with DaVinci Resolve
- Production Information
- Grad Film Department Site
Workflow
- Workflow by Course
  - Intermediate Workflow Tech
  - Intermediate Practice Workflow
- Backing Up Media
  - Practicing Data Wrangling with DaVinci Resolve
  - Cloning with DaVinci Resolve
- Hard Drives
NYU Festivals
- Delivery Instructions
  - NYU Festivals Delivery Specifications
  - Uploading Festival Screeners Using CineSend Requests
- Staff Documentation
  - NYU Festivals: QC & Mastering in DaVinci Resolve for Staff

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Post Picture Technical Training
DaVinci Resolve

DaVinci Resolve Manufacturer's Manual

Last Modified on 07/31/2024 1:03 pm EDT

DaVinci-Resolve-16_Beginners-Guide.pdf

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