skip to header content

skip to main content

FTV Technical Training

Grad Film
Camera Technical Training
Production Sound Technical Training
Post Sound Technical Training
Post Picture Technical Training
Technical Training Seminars
Frame & Sequence
First Person Narrative
Sound Image
Sight and Sound: Filmmaking
Sight and Sound: Studio
Sight and Sound: Documentary
Documentary Production
Intermediate Production Courses
Advanced Production
Directing the Camera
Open Arts
Graduate Film
Workflow
NYU Festivals
Production Advisement
Pre-Production

- Grad Film
- Camera Technical Training
- Production Sound Technical Training
- Post Sound Technical Training
- Post Picture Technical Training
- Technical Training Seminars
- Frame & Sequence
- First Person Narrative
- Sound Image
- Sight and Sound: Filmmaking
- Sight and Sound: Studio
- Sight and Sound: Documentary
- Documentary Production
- Intermediate Production Courses
- Advanced Production
- Directing the Camera
- Open Arts
- Graduate Film
- Workflow
- NYU Festivals
- Production Advisement
- Pre-Production
Contact Us
Login

- Grad Film
- Camera Technical Training
- Production Sound Technical Training
- Post Sound Technical Training
- Post Picture Technical Training
- Technical Training Seminars
- Frame & Sequence
- First Person Narrative
- Sound Image
- Sight and Sound: Filmmaking
- Sight and Sound: Studio
- Sight and Sound: Documentary
- Documentary Production
- Intermediate Production Courses
- Advanced Production
- Directing the Camera
- Open Arts
- Graduate Film
- Workflow
- NYU Festivals
- Production Advisement
- Pre-Production

Home
Glossary
Grad Film
- Grad Film Site
Camera Technical Training
- ARRI Alexa Classic
- ARRI Alexa Mini
- Arriflex SR II
  - ARRI SR Tech Seminar Instructor Notes
  - ARRI SR Book by Jon Fauer
- Arriflex 435
  - Arriflex 435 Manufacturer's Manual
- Canon C300 MK II
- Canon C200 MK I
- Canon C70
  - Canon C70 and Nanlite Overview Tech Seminar Instructor Slide Deck
  - Canon XF605/C70 Combined Tech Seminar Slides
- Canon R5 C
- Canon XF705 Camcorder
- Canon XF405 Camcorder
- Canon XF605
- Canon 7D
  - Canon 7D Website
  - Canon 7D Manufacturer's Manual
- Nikon D850
  - Nikon D850 Website
  - Nikon D850 Manufacturer's Manual
- Red Epic
  - Red Epic Dragon Website
  - Red Epic Dragon Manufacturer's Manual
- Sony FS7 MK II
- Sony FS5 (Open Arts)
- Sony FS7 (Open Arts)
Production Sound Technical Training
- Sound Devices MixPre 3 II
  - Sound Devices MixPre-3 II: Quick Start Guide
  - Sound Devices MixPre-3 II: Linking Channels for a Stereo Mic
- G4 Receiver
- Zoom H5
- 302 Mixer
- 633 Recorder
- Canon C70
  - Intermediate and Advanced Documentary Audio Tech Seminar Slides
- Backing Up Media
  - Cloning with DaVinci Resolve
Post Sound Technical Training
- Recording for Post
- PPC Post Sound Suites and Studios
- Pro Tools
- Sound Effects and Music Libraries
Post Picture Technical Training
- Avid NEXIS
- Adobe Premiere Pro
- DaVinci Resolve
- Avid Media Composer
- Screening
  - Using PPC Screening Rooms
  - easyDCP: Viewing DCPs and Multimedia Files
- ZBrush
  - Configuring Wacom Tablet for ZBrush
- Workflow/Data Wrangling
  - Practicing Data Wrangling with DaVinci Resolve
  - Cloning with DaVinci Resolve
- Post Production Information
Technical Training Seminars
- Open Arts
- Frame and Sequence
  - Zoom H5 Tech
- First Person Narrative
  - Zoom H5 Tech
  - Premiere Pro Techs: First Person Narrative Instructor Notes
- Sight and Sound Documentary
  - Premiere Pro Techs: Sight & Sound Documentary Instructor Notes
- Sight and Sound Filmmaking
  - Zoom H5 Tech
  - Premiere Pro Techs: Sight & Sound Filmmaking Instructor Notes
- Sight and Sound Studio
  - Premiere Pro Techs: Sight & Sound Studio Instructor Notes
- Intermediate Production Courses
- Int/Adv Documentary Production
- Advanced Production
- Grad
Frame & Sequence
- Canon R5 C
- Lighting (Nanlite LEDs)
- Zoom H5 Recorder
- Post
- Backing Up Media
  - Cloning with DaVinci Resolve
- Equipment Access
  - F&S Equipment Access and Inventory
First Person Narrative
- Canon R5 C
- Lighting (Nanlite LEDs)
- Zoom H5 Recorder
- Post
- Adobe Audition
  - Adobe Audition User Guide
- Backing Up Media
  - Cloning with DaVinci Resolve
- Equipment Access
  - First Person Narrative Equipment List
  - Floater Rig Request
Sound Image
- Sound Recording
- Suites and Studios
- Backing Up Media
  - Cloning with DaVinci Resolve
- Pro Tools
- Sound Image Video Assignment Video Files
  - Sound Image Video Assignment Video Files
- Equipment Access
  - Sound Image Check In Schedule
Sight and Sound: Filmmaking
- Canon C200 MK I
- Lighting (Nanlite LEDs)
- Zoom H5 Sound Recorder
- Post
- Backing Up Media
  - Cloning with DaVinci Resolve
- Equipment Access
Sight and Sound: Studio
- Telestream Live Capture
  - Telestream Live Capture: Recording
- Post
- Production Information
  - Production Advisement
Sight and Sound: Documentary
- Canon XF605
- 302 Mixer
  - 302 Mixer Guide
  - 302 Mixer Manufacturer's Manual
- Lighting (Nanlite LEDs)
- Post
- Backing Up Media
  - Cloning with DaVinci Resolve
- Equipment Access
  - Sight & Sound Doc Check In Sp25
Documentary Production
- Canon XF605
- Canon C70
  - Canon XF605/C70 Combined Tech Seminar Slides
- Doc Sound Rig
- Lighting (Nanlite LEDs)
- G4 Reciever
- 633 Recorder
- Post
- Workflow
- Equipment Access
  - Intermediate Doc Picksheet
  - Intermediate Doc Supplemental Picksheet
Intermediate Production Courses
- Canon C300 MK II
- Lighting (Nanlite LEDs)
- 633 Sound Recorder
- G4 Lav Receiver
- Backing Up Media
  - Practicing Data Wrangling with DaVinci Resolve
  - Cloning with DaVinci Resolve - SSF
- Workflow
- Post
- Intermediate Hands-On Rig Practice Slides
- Equipment Access
Advanced Production
- ARRI Alexa Mini
- Canon C70
  - Canon C70 and Nanlite Overview Tech Seminar Instructor Slide Deck
- Lighting (Nanlite LEDs)
- 633 Recorder
- G4 Receiver
- Workflow
  - Intermediate Workflow Tech
- Backing Up Media
  - Cloning with DaVinci Resolve
  - Practicing Data Wrangling with DaVinci Resolve
- Post
  - Sound Effects and Music Libraries
- Equipment Access
  - UG 16mm Picksheet
  - Equipment Access Advanced Level
    - Advanced Travel Sound Rig
Directing the Camera
- Canon C200 MK II
- Lighting (Nanlite LEDs)
Open Arts
- Smart Phones
- Sony FS5 (Level I Courses and FoD II)
- Sony FS7 I (Level II Courses)
- BOYA
  - BOYA Lavalier Microphone Setup and Use tutorial
- Post: Fundamentals I
- Post: Fundamentals II
- SFX/Music Library
  - Sound Effects and Music Libraries
- Open Arts Equipment Access
Graduate Film
- ARRI Alexa Classic
- Nikon D850
- Arriflex SR II
  - ARRI SR Tech Seminar Instructor Notes
  - ARRI SR Book by Jon Fauer
- Arriflex 435
  - Arriflex 435 Manufacturer's Manual
- Sony FS7 MK II
- Red Epic
- Zoom H5
- 633 Sound Recorder
- Backing Up Media
  - Cloning with DaVinci Resolve
- Production Information
- Grad Film Department Site
- Grad Film Equipment Access
  - Thesis
Workflow
- Workflow by Course
  - Intermediate Workflow Tech
  - Intermediate Practice Workflow
- Backing Up Media
  - Practicing Data Wrangling with DaVinci Resolve
  - Cloning with DaVinci Resolve
- Hard Drives
NYU Festivals
- Delivery Instructions
  - NYU Festivals Delivery Specifications
  - Uploading Festival Screeners Using CineSend Requests
- Staff Documentation
  - NYU Festivals: QC & Mastering in DaVinci Resolve for Staff
Production Advisement
- Production Advisement & Safety Quicklinks
- UGFTV
- Open Arts
  - Open Arts
    - Basic and Beginning Guidelines
      - Basic Level
      - Beginning Level
    - Advanced Guidelines
      - Advanced Level
- Grad Film
Pre-Production

Home
First Person Narrative

Equipment Access

Last Modified on 05/28/2025 10:56 am EDT

First Person Narrative Equipment Access and Scheduling

Equipment Access& Inventory
Floater Rig Request
Check-In Schedule

Related Articles

None

Was this article helpful?

Thank you for your feedback!

Knowledge 1 Knowledge 2 Knowledge From

Name

Email

Submit

Thank you! Your comment has been submitted for approval.

Kanbar FTV Production Homepage
Emergency Protocols
Required Purchases

Copyright ©. All rights reserved.